When Mia and Pearl move to Shaker Heights, Ohio, Mia promises her 15 year old daughter that for once, they will stay put. Mia, who is an artist constantly moving where her inspiration takes her, knows this kind of stability will be a gift to her daughter, who has attended more alma maters than is probably advised.
Mia rents an upstairs unit from the Richardson family - a perfectly situated family of four children (two boys and two girls) with a lawyer father and journalist mother. Elena may have at one time aspired to more than a local beat at a tier three paper, but she never went for it. Now she's content to believe her opinions and her beliefs are the best. She's managed to raise three exceptionally selfish children, and treats the youngest pretty horribly. Now I'm not saying I don't have my moments when we're late leaving the house and my child is crying about how her/his seat belt won't buckle and somehow it's my fault and they hate me, that I don't react in a way that is less than motherly, but c'mon Elena Richardson, your daughter is still a CHILD. Phew.
So anyway, Mia is a pretty level headed person although she's got some secrets, but she genuinely feels for people. And Pearl starts to hang out more with the Richardsons, finding a kindred spirit in the younger boy, Moody, and finding a smoking hot smoldering spirit for the older brother, Tripp, who, let's face it, has had too much of his life be easy to be anything other than slightly less than an asshole. The older daughter, Lexie, is also incredibly selfish although there is a hint of that starting to change. And Moody, who we may have some sympathy for, ends up being kind of an asshole too. Which leaves the youngest daughter, Izzie, who, constantly berated and unloved by her own mother, has a bunch of issues and is seriously just looking for someone (Mia) to love her. Sad.
And all that would be fine if Elena Richardson didn't have a friend so focused on having a baby that she would railroad the child's biological mother in her quest for custody. Because she does, and that brings out everyone's thoughts and feelings on the subject. When it turns out Mia doesn't agree with Elena, Elena goes through some pretty sneaky and unethical shit to get dirt on Mia.
I wasn't a huge fan of the ending only because I wanted Elena Richardson to really get hers but alas, this book is probably more like real life where Karma is a bitch, but not always egalitarian. Celeste does some really great work with white privilege, white saviorism, and class distinctions that work really well in the book. I enjoyed it and her writing.
4/5 Stars
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