I read and consumed American Gods (you can read that review here) and have watched and been consumed by the brilliant take on the book through the Starz drama starring the immensely talented Ricky Whittle. The Ocean at the End of the Lane has been on my t0-read list for quite some time and I was pleased to see it show up as available on my library queue.
For such a short story, TOEL packs a lot of narrative and drama into its pages. A man returning to his hometown for a funeral decides to pay a visit to his childhood home and is drawn to the farmhouse down the lane from where he grew up. A girl he once knew, Lettie Hempstock lived there and he feels compelled to revisit her home. Upon arriving, his childhood begins to come back to him, in particular a rather harrowing few days following his seventh birthday party.
A lonely and friendless child, the boy happens upon Lettie Hempstock while his father is being questioned by police after a dead body is found in the family car parked on the Hempstock property line. Lettie decides to take the boy with her on an errand. Things around Lettie aren't quite what they seem and while on their errand in Lettie's fields, the boy is bitten on the foot by something. Later that evening, the boy finds a worm in a hole in his foot and attempts to pull it out. The following day, a woman bearing a strange resemblance to the worm arrives at the home to occupy a spare room in the house and serve as the boy and his sister's nanny while their mother returns to work. The nanny, Ursula Monkton brings with her a variety of strange happenings.
There are many things that are really impossible to briefly explain over the rest of the book, but the boy fights against Ursula Monkton for his freedom and the freedom of his family.
The book is so wonderfully strange, but very rich in detail and imagination. In finishing it last night, I was thinking about my own childhood, and what kind of truths I may have learned that are now forgotten. What kinds of things do children understand that adults will never know? What fullness and richness of experience do children live in when everything is new and instructive. I like asking myself these questions and I live even better the books which cause me to ask them.
5/5 Stars.
I'm actually pretty torn on how to review this book. On the one hand, Sue Miller stories are a master class in character examination. On the other, the book was a bit slow and plodding and ultimately a little boring. The Arsonist follows the life of Frankie Rowley, who returns to her parents retirement home, a place she spent summer vacations as a child, in Pomeroy, NH (again, I'm sorry if these spellings are incorrect, I listened to the audio version of this book). Frankie is coming off another stint as an aid worker in Kenya and she's feeling a little lost, a little forlorn at what seems like the repetitive love and life cycles of "temporizing" in Africa.She arrives in Pomeroy to find her father mentally deteriorating due to Alzheimer's or perhaps Lewy Body disease. Her mother, Sylvia, is dealing with her own feelings of unfulfillment as she contemplates a retirement life taking care of a man who she never quite loved enough. There's a lot of deep character stuff going on in this book. Whether we can shake who we are, find fulfillment, that kind of thing. Typical stuff that Sue Miller does better than basically any other author I've ever read. In the background, fires are being set at the houses of Pomeroy's summer residents. The fires begin to fuel fear and mistrust in the town. This is all covered in the local paper by Bud Jacobs, a man who left Washington DC to escape the big city stories and who's aim was to settle into small town life in Pomeroy. Bud eventually falls for Frankie and their romance is complicated by her being unsure about what she wants to do with the rest of her life. The arson does little more than set a backdrop to the characters lives, and to focus the book in time by giving events to move the story forward. In all, Sue Miller does such a great job delving into the motivations and lives of Frankie, Bud and Sylvia that you end the book really understanding who they are and why they do the things they do. But there is also a faint unfulfilled longing for change or progress to be made by the characters that really sets in motion the ultimate lesson that people don't change, they make decisions based on their personalities and backgrounds, and sometimes they make good decisions, sometimes bad, but they are fundamentally who they are. And what they do with their lives is entirely up to them. While the ending doesn't feel fully satisfying, it does feel overwhelmingly real. And that is what I have come to expect from Sue Miller (you can read my review of another Sue Miller book here). So in that respect, she didn't disappoint.
4/5 Stars.
