I have to admit I wasn't into this one. Every Man a Menace benefits from short declarative and perfunctory sentence structure. It's pace is quick and it moves well. Based in five parts from five different points of view, the book works backward in time, with the first part introducing the character of Raymond Gaspar, a recently released prisoner who has a simple job to perform for his protector on the inside. He needs to figure out which of two people involved in the drug trade have lost their edge. It becomes obvious early on that Raymond is being played by both the distributor, Gloria, and the dealer, Shadrack who are not too keen on letting Raymond in on their well run enterprise. We are told a lot that Raymond is frightened or scared. And then he's dead.
Part two steps back in time to before Raymond's death to tell us about the two Miami club owners who are the importers of the ecstasy eventually distributed and sold in San Francisco by Gloria and Shadrack. Isaac and Semion are old friends from the Israeli army who have landed in Miami and have cut a nice niche for themselves in the ecstasy game. We are told when their Belgian supplier falls through, they start to wholesale out of Thailand. Determined to remain small, Semion is at odds with Isaac who has grander plans. So we know that's not going to work out well for Semion who is eventually set up and played by a "crazy" Brazilian woman who he knows is lying to him, but doesn't seem to care.
Step back in time to their contact in Thailand, a man who's name I cannot now recall has also been set up by the police as a shake down for a bribe after his grindr date ends up being a plant (by the police). He calls in a favor from the manufacturer of all this ecstasy and the favor ends up being called in right away in the form of forcing the contact to get Semion and Isaac to agree to a bigger order.
So the last part of the book then fast forwards through all this back to Raymond and Gloria and Shadrack to make some kind of sense of who is cutting out who in this cut throat industry of the drug trade. The book is gritty without texture and full of interesting characters that are a complete blank.
I'm good with non linear timelines. I'm good with morally bankrupt characters. I like diversity among characters. Check, check, check. But here, it felt like EMaM was merely checking off boxes as I have done here on a list, without taking the necessary steps to weave anything together. The extra piece is missing here to turn this from a page turning crime drama into something in which to become invested.
2/5 Stars.
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