Ah revenge suicide. I'll kill myself and then everyone will be sorry. That's pretty much my biggest beef with Thirteen Reasons Why. It's every middle/high schoolers revenge suicide fantasy. But it's playing out in a way that works for the person who kills themselves. Hannah lives on posthumously through cassette tapes and haunts those she blames for her death. It's wickedly unfair to several people on the tapes, notably the other narrator Clay Jensen. Who's biggest crime was that he didn't "save" Hannah.
And as annoying as Clay's sometimes overly descriptive narrative is, he's the only person who really makes counterpoints to the revenge suicide - if you're bothering to listen to him. Eg. - telling Hannah she didn't have a funeral, which I believe would be a big upset for someone looking to have people hand wringing and heart rending at their funeral after their suicide plays out. He also is the only one who consistently fights back against Hannah's assertion that people had a chance to save her and didn't take it.
I don't want to victim blame here, because Hannah was an unlikeable character, but it wasn't due to any kind of woe is me mentality. A lot of crappy things happen to her in high school. Things that would be handled in a multitude of different ways by different people. So I'm not down on Hannah for ultimately deciding killing herself was the only option. But blaming other people and going out in a raging audio-taped glory was just a bit much. Since one of the people she blamed was a friend who believed a rumor and thus ended the friendship is then horribly raped while Hannah bears silent witness in a closet, yet somehow Hannah can't get over herself enough to think about other people. So the entire time Hannah is so mad that people aren't seeing the "real" Hannah, but she completely fails to offer the same thing to anyone else in the book. Except Clay. The nice guy narrator of the story. His sterling reputation is deserved. Yet Hannah still makes him listen to about (I'm unclear just how long these audiotapes of Hannah's are supposed to be) 8 hours of blaming others just to tell him that actually she doesn't blame him at all. But he's part of her "story".
Overall the premise of the book is so problematic and poorly executed that I had to give it two stars. It's a book intended for the same demographic which currently can't stop eating Tide Pods. It doesn't come with enough nuance or depth to actually get to the heart of the matter or to give young adults the tools they need to digest it.
So what did I like about it? (see that's Hannah voice there). Well, the split narrative works pretty well (discounting the sections where Clay's repetitive interjections are awkward). And the timeline works to unravel the story.
2/5 Stars.
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